Why your outdoor recordings sound noisy
Start with the sound reaching the microphone.
Name the noise before changing settings
Wind buffeting, handling thumps and a distant road are different problems. Listen to a short test on headphones and describe what you hear. That description gives you a better next move than turning every control at once.
Compare two positions
Record a short test, change position and record another. Try a sheltered position or a location with a clearer relationship between the subject and unwanted sound. Keep the comparison small enough to hear what changed.
Make the device still
A recorder may capture movements you barely notice. Put it on a suitable support, begin recording and leave it alone for a useful stretch. Keep a little material before and after the sound you want.
Decide whether to keep the take
Listen for a usable interval. If the whole recording is dominated by a problem, another short outing may be more productive than extensive processing. Write down the change you want to test next time.
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Technical background: Cities and Memory field-recording starter guide.
Turn everyday sounds into a piece that is yours.
The complete workflow, an illustrative example, worksheets and synthetic practice audio.
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