CRE8 · Performance Editor

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CRE8 STUDIO

Performance

Music / Code / Visuals

LIVE OUTPUT Shader Studio

Preparing your canvas…

YOUR LIVE CANVASGive your code a stage.

Choose a template, then apply its shader to see it here.

Canvas & audio settings

CANVAS SOURCE

A clean stage for your shader. Apply the Orbit draft to start, or write your own.

Tempo BPM Shader level 65% Manual beat clock

AUDIO → VISUALSLet the music shape the light.

Drive Reaction 75%

Manual controls

DAW energy shapes the shader level with a soft attack and release. Tempo follows the playing take; beat phases remain independent.

Open the stage to start CRE8Virtual.

Scene

Camera shot

Camera angle

Performance

Character line

Speech uses the connected Voice provider. Rehearse performance plays a diagnostic tone with gestures.

Camera cue beat (from 0)

Choose a camera shot and save it at a beat. Prepare the DAW draft, then follow its cues. Camera cues repeat with the music and travel in the saved score.

Channel

Watch stream

Offline. Broadcast captures this canvas and the shared audio mix, including DAW and character audio. Keep this tab visible.

Loading interactive view.

Live shader WGSLOrbit draft

Look

Preparing your canvas…

Shader inputs

cre8_live(uv, scene, p) returns an RGB color.
p.screen: size, seconds, shader level
p.music: beat, beat phase, bar phase, BPM
p.audio: world bass, mid, treble, RMS. Studio uses silence and a black scene.

Shaders are bypassed in World. Your draft and last working program stay here for Studio or Performance.

CRE8 AUDIO / LIVE SCORE

Write the groove.

Code notes, play the synth, shape the mix. Your next edit lands on a bar.

Song composer & DAW →

Draft stays in this browser tabSwitching pages preserves your draft. Prepare again to play.

Stopped · prepare a scoreNO LIVE TAKE

Prepare a score to open its tracks, clips and envelopes.

Unprepared draft

Score CRE8 SCORE

Sound sketch Prepared takes

Compose Seed

Connecting audio controls…

ArrangementPrepare a score to see its notesZoom 100%

Your compiled drums and note lanes appear here.

Mixer

Faders edit the draft. Apply mix to update the prepared song.

Tempo BPM

Drums

Drum synth

Bass

Pads

Melody

Arp

Space

Reverb return

Play a MIDI phrase

Turn your controller into score code. The first note starts a phrase using this score’s tempo and bars, independent of loop playback.

Device ↗

Input Receive

Connecting MIDI controls…

Your recorded notes will appear here.

1/16-note grid · up to 128 notes · review before inserting. Notes go to Melody; channel 10 maps 36 kick, 38 snare, 42 hat, 46 open hat. Other pads are skipped. Pressure, sustain and CC are not recorded. Prepare score to hear the result; live monitoring is off.

Score language

Beats start at 0. Loops are 1–4 bars at 60–180 BPM.

tempo 96
bars 2
compose house 7
clear bass
instrument bass saw_bass
note bass C2 0 0.75 0.8
drum kick 0 0.9
level reverb 0.3

Note: part, pitch, beat, duration, velocity. Parts: bass, pads, melody, arp. Drums: kick, snare, hat, open_hat.

Song-wide: kit <name> · swing 0..0.3 · root C4 · scale dorian.

Pattern playground

pattern kick X...x... 0 8 0.8
sequence bass C2,-,G2,- 0 8 0.75 0.7

Pattern: voice, steps, start, span, velocity. x hit · X full accent · . rest.
Sequence: part, comma-separated notes, start, span, gate, velocity. - is a rest. Gate is the fraction of each step held, from 0.01 to 1.

Mixing console

pan arp -0.5
send melody reverb 0.35
send arp delay 0.4
fx bass filter mode=low_pass cutoff_hz=900
automation bass gain 0 0.2
automation bass gain 8 1
reverb preset=plate mix=0.4
delay time=1/8. feedback=0.45 pingpong=1
master glue=1 ceiling=0.9

Targets: bass, pads, melody, arp, drums, master. Up to four fx per target, appended in order; fx <target> clear drops them.

Automate gain, pan, send.reverb, send.delay or fx.<n>.<param> (1-based, declared first): one line per breakpoint, at most 64 per parameter and 256 per score.

Every parameter is validated against the plugin catalog at /audio/plugins. A score naming none of these renders exactly as before.

Audio uses its own sample clock. On the Virtual stage, DAW energy can drive shader level and tempo; beat phases remain independent.

Loading audio host…